Meles Niguse is a well known poet in Eritrea. He has been able to win the
hearts of many poetry lovers. Born in keren in 1975, Meles took university
level literature courses. He is now
working in the Eritrean Sport Commission, as a public relation officer. Recently,
Meles published a poetry book entitled Zelo eyu Zhlu (he who exists lives). He
has his say on literature in general, and on poetry in particular. We
interviewed him in Asmara.
Excerpts:
·
Have you become
the poet you were ambitious to be? Taking your back ground into account, are
you showing progress?
Sometimes I write poems suddenly.
When I get in the mood, I make a dialogue on modern and traditional poems. I
talk to the poems; we debate, we argue with each other. Sometimes the poem
tells me that it is not an ambition that someone intends to reach when writing
a poem. Then, again and again, I set my
motion with emotion. When I write the right poems, my soul fills with pleasure.
Then, I go to my friends for their comments on the poems I write. How do they
look like? Are they coping with time?
·
Why do you
write poems, when it is so simple to say it in ordinary talk?
I listen to the knock from my
soul. It pushes me to put my feelings in poems. Life needs a change. Everything
is tedious with out a change. Poetry is a change from ordinary talk. It is a
sweet saying. It is the voice of conscience that includes aesthetics, and strong
and affectionate emotion. A talk is delivered with lots of details, whereas a
poem is an implication. It is very tight and figurative, with no wasting of
time and words. That is why it is preferable.
·
How do you
see the role of poetry in the making and progressing of Eritrea?
It has played a great role. It
was an inspiration for the blossoming spirit of our revolution, and national
feeling during our straggle. After independence, it grew up focusing on its
artistic and aesthetics values. Art and aesthetic are both the renovation of
our soul and mind. Poetry clears the conscience. Nothing is greater than
feeding the soul.
·
You have
published and distributed a poetry book recently. How were the challenges you
went through to publish it? Are you getting any immediate response from your
readers?
It was obvious that I had financing
and distribution challenges. But you forget it all; you get rewarded after
getting positive response from people who read the poems. I was really
fortunate in meeting encouraging people.
·
Where do
you get the inspiration to writing poetry? What do you do to enhance your
creativity?
I don’t write deliberately.
Sometimes impressive books that I read wake me up. Reading books is an
inspiration to writing. Reading
is just feeding the mind. I have to feed it. And if it is fed, it turns out to
be generating creative ideas.
·
As a poet,
what do you think is the most important thing in life?
Every aspect of it is significant
to poetry. It is on how you look or what kind of angle you take that matters. Keen
or wholehearted observation is required to produce a poem.
·
How do you
see the quality of our poetry, especially in relation to other country’s
poetry?
It is relatively good. I can see
many young talented and promising poets. Out of the many written, one can find a
few beautiful poems. If our poets are provided with necessary training, we
could reach the top soon.
·
How do you
see the capacity of our people in reading and digesting poetry? What do you
suggest?
Poetry needs critical reading,
but not many readers are critical. Being critical reader is going deep into the
poems and only those who are able to do that read poems with interest. There
are readers who want easily understood works.
·
Do you
have any plans to translate your poems?
I have that dream. I welcome
anyone who is interested in and capable of doing that job.
·
Some
people say that a poet, despite having much reputation, his belly is vacant!
(getamay simu seamy diraru mai!) Do you make a living by selling poems?
I prefer living with the pleasure
I find from poetry, rather than money. Poetry is a remedy to the soul, not a means
to make your living. So, I prefer to I live in poetry rather than in its
byproduct?
·
How do you
evaluate our lyrics?
I can put them into two extremes.
We have some excellent, pleasing lyrics. On the other hand there are irritating
lyrics, with no human dimension. Some do not meet even the basic requirement. Lyrics
need intensification, because it is about outlining a song.
·
You have
been writing short stories. How much interest do you have in that and what do
you intend to do about it?
I am very interested in short
stories. I have known and practiced it equally with poetry. It is very close to
poetry compared with the other genres. I have collected some of them, and I am
about to publish them whenever I am financially able.
·
Have you
ever taken any initiative to transfer your knowledge to the young?
It is a bit scary question. I
felt as if I got older. Literature is an art that you learn while practicing
it. Discussing with people with the same interest by itself is a lesson. This
could be considered as a method of transforming what you have. I believe it
works. I have many young promising poets who chat with me on matters of poetry.
It is just sharing of ideas. In collaboration with NUEYS, we are teaching
elementary poetry to some young poets. So I am already engaged in sharing my
knowledge. I will keep doing that.
·
Are there promising
young poets?
Many of them! I can read some
sweet poems of theirs. And I feel proud of them.
·
Your
future plans…?
I will distribute my poetry book
in audio and CD. I am also planning to publish a collection of short stories.