Temesgen Ghebreslasie (Taniko) is one of the famous young Eritrean singers. Although he has released only two albums so far, his name is on the star singers list that includes Helen Meles, Fihira, Wedi Tkabo and others. Recently, Menesey Magazine conducted an interview with him. A translated part of it follows:   

 

When did you start to sing professionally?

 

It was in early 1990s that I started to be influenced by the songs of fighter singers such as Fihira, Wedi Tkul and others. Since I had already started to play the kirar [a traditional instrument] I began to imitate their songs. But, the one who helped me to sing is Biniam (Wedi Meretse). When once I saw him playing the kirar, I started to be more interested and hence I bought one. After that I became more interested and involved in singing.

 

Which song did you sing with the kirar for the first time?

 

It was the song of the martyred Michael Meles, which his sister, Helen Meles, sings. Its title is ‘lkea seat hade,’ translated to ‘exactly at one o’clock. But, the first song that I sang on stage was Tephono’s ‘Senselet.’

 

When was the time that you realized that you could release an album?

 

It was in 2003 while I was singing in Warsa Recreation Centre that many people gave me morale support and encouraged me to continue singing. Many of them told me that I had to release an album.

 

One day while I was singing Yemane Alem’s song, Hewan, artist Samuel Almede told me that “you are a good singer.” Then Daniel, a DJ at Warsa, Samuel Almede and Aklilu Tesfatsion agreed to prepare songs for me with the former to finance the expenses. Then with the cooperation of these three and others I was able to release my album.

 

What was your reaction when the album was released?

 

It is difficult to explain; it was beyond my expectations. Hearing people mentioning your name here and there; seeing people delighted with your songs; meeting people who came every now and then to appreciate you was really encouraging.

 

Apart from your profession, once you said that you had a happy love life. Could you tell us something about it?

 

In 1991 I used to operate a bicycle rental kiosk in our area. Then, a lady named Hizbawit Tesfai, was my client. She often came by and rent a bicycle. Then I started to fall in love with her and when we came closer. Then I asked her for friendship. She declined my request at first but I was able to persuade her later on.

 

Although we established friendship her parents rejected us saying that we were too young for that kind of relationship. However, facing the challenges we continued to be together.

 

In 1994 she gave birth to our first son, Abiel; in 1998 to Lamiek; in 2002 to Delina; in 2005 to Rimon and this year to Noah.

 

Did she know you as a singer when you were introduced to each other?

 

 No, she didn’t. She only knew me as a bicycle renter. It was when I started to sing in wedding ceremonies and when I started to entertain her with the kirara that she knew I could sing. Then, she always asked me to sing for her the song of the martyred Okbagaber’s ‘Filmawit Ade.’

 

 

Is there anything unique you specially remember in your life?

 

Renting bicycles! I had a special attachment to bicycles. The time I spent in renting bicycles are the most memorable moments of my life. I was master of bicycles. People used to throw coins on the aground and I picked them from on my belly on the seat.

 

Do you think that you suddenly came to popularity when your first album was released?

 

No, it was not a sudden appearance. By the time I started to play on wedding ceremonies, my friend Mehari had already started playing in Warsa. He then told me that I could also join him. Then I started to play there for 175 Nakfa a night. It was not for benefit, of course. What I received from there just covers my transport and dinner expenses. However, I continued to sing because I love the art. And it was at that moment that I got an opportunity to release my first album.

 

A number of singers are blamed for their misbehaving and alcoholic addiction, what about you?

 

An artist has to be a model of the society since he/she is exposed to the public. There are many youngsters who want to do what a singer does. So, respecting your societal values and norms, becoming a role model to the youth is what is required of singers or artists in general.

 

Speaking about your recently released album, what do you say comparing it with the first one?

 

It took us three years to finish it. All the lyrics are by Aklilu Tesfatsion and the melody was prepared by different artists: six by Aklilu, two by Ghidey Yohannes and one by Araya Haile. I think this album is the same or better than the first one.

 

Recently, you toured many countries for show. Could you tell us about it?

 

The visit was a special one. I met and knew that our people are closely attached to their country’s affairs. They gave us warm welcome. Especially I would like to thank my government and specifically PFDJ cadres in providing me with medical services for my long health problem while I was in the US. Dr. Haile Mezgebe also played an important role in my medication.

 

At the present, many young singers are emerging. What do you think is the reason?

 

In the past, being a singer was not heed in high esteem in our society. But, the songs of the armed struggle influenced many youngsters and overcome the traditional contempt on being a singer. I am, for example, one of those who were influenced by the revolutionary songs. The coming of these songs and the changing understanding of the society enabled many youngsters to perform.

 

Any one of your children who has the talent of singing?

 

Abel, my elder child, is member of the ‘Aser cultural Troupe.’ And I think he would be a promising singer.